Yet Another Time Lapse Video!

     And here I bring you the third installment of videos from this artistic adventure:

Kevin Time Lapse from Annie G. on Vimeo.

     The song in the background is Quesadilla by Walk the Moon.

     As I said before, this sketch was the one I was happiest with. However, when I got to Kevin's face, it just wasn't working. I literally tried and erased it about twenty times (I spared you that pain in the video). His clothes, though, turned out awesome! Of the first three, I think his clothes look the best. I'm especially pleased with his jean jacket.

     I don't think I'll finish editing the last video tonight, but I will upload that as soon as possible tomorrow!

Video Number Two!

     Finally.

Eli Time Lapse from Annie G. on Vimeo.

     I'm actually really satisfied with how this part of the drawing (I was drawing Eli, the guitarist) turned out. For Sean (see previous post), I wasn't particularly happy with how the proportions worked out. However, I feel like I started with a better sketch for Eli, and having a good sketch usually ensures a good final drawing.

     Also, since my last post was kind of all centered around my feelings toward video editing, I forgot to mention that I have pictures of my original sketches.

     I had to make some adjustments from the original image, because apparently I'm not very good at estimating proportions. I think the sketch I'm happiest with is the one of Kevin (second from the left), but unfortunately in the actual drawing process, I succeeded in completely messing up his face. So we'll see.

I Looooove Video Editing.

     Note the extreme sarcasm.

     Anyway. So this week I've been working on my final product -- a drawing of all four band members of Walk the Moon. I've been video-taping each part of the drawing, and I plan to make a time lapse video for each person.

     I've been using two SD cards (one 8 GB and the other 16), because my video files have not been able to fit on one card. For my first part of the drawing (the drummer, Sean), I imported the video files from both SD cards without trouble, saved them in iPhoto, and went on with my life.

     Then I tried to import the next videos. I imported the files without problems from the first card, and then put the next SD card in the computer and went away from the computer. Three hours later, when I came back, iPhoto was displaying a message: "Delete or Keep Files?" Since I needed to clear the SD card to use it for the next set of videos, I clicked delete. Little did I know that iPhoto was going to stop working.

     I was stuck. I had clicked "Delete Files", the import wasn't complete, and iPhoto wasn't responding. I crossed my fingers and force-quit. After reopening iPhoto, I discovered a severe lack of sixty minutes of video.

     So one temper tantrum, six hours, and five video-recovery programs later, I still lack my videos. (Though I did actually manage to recover one of the files -- only problem is, there's no image (just blackness), and the audio (which I wouldn't have used anyway) is mostly static. So I guess that doesn't really count as recovering the file.)

     On the bright side, nothing affected my videos from my drawing of Sean, so here's that time lapse video:

Sean Time Lapse from Annie G. on Vimeo.

     The song used in the background is Tete-a-Tete by (of course) Walk the Moon.

     I will hopefully have the other videos completed and uploaded by tomorrow, but I still have to do that biorhythms project (yaay precalc), so we'll see. And I'm not giving up on these videos. I will find them. Somehow.

     Moral of the story: NEVER delete video files (or any files, for that matter), until you're absolutely, 100% positive that they are saved elsewhere.

     Update: Turns out iPhoto didn't actually delete the videos from my SD card -- it's just that the iPhoto software hides files it thinks it has already imported. So they were on my SD card the whole time. *facepalm*

     So yeah, that video will be here soon.

     (And on the topic of the drawing and genius project itself: it's going well, and I'm nearly done. I will post pictures tomorrow.)

Clothes! (Rather Late...)

     So last week was the week I was supposed to work on clothing... but I didn't really get started on that until the weekend (the 23rd). That was probably mostly due to procrastination.

     Anyway, I stated in my first blog post that I'd like to try four different types of clothing. I didn't do four separate drawings, however, since I combined the first two types into one. First, I wanted to just draw a basic t-shirt. Since I happened to be wearing just that (along with a sweatshirt), I decided to just find a mirror and draw my reflection. Here is the result:

     This drawing encompassed two different styles of clothing. Even though sweatshirts and t-shirt are similar in texture, they have different thicknesses, so they folds differently. Sweatshirts tend to have larger, softer folds (I'm not quite sure how to describe it), while t-shirts make smaller, sharper folds. (Also, my sweatshirt's a bit big, which meant that it folded more than my t-shirt.)

     Since I wasn't focusing on hands or faces or anything this week, I just did simple, blocky sketches for the hands and ignored the face altogether. (Which makes it a rather creepy drawing, but oh well.) Side note: if you're trying to draw a black sweatshirt, make sure you have good lighting or you'll have to make up most of the shadows. Which can be very annoying.

     Next, I decided to draw jeans. In the picture I selected for my final product, all four band members are wearing jeans, so that seemed to be the best thing to practice. (Maybe in the future I can try out things like sweatpants, skirts, etc., but for the purposes of this project, I just decided to focus on jeans.

     These were surprising difficult -- jeans, being kind of stiff, fold oddly and often. Folds, as I think I've mentioned before, are such a pain to draw, since they require a LOT of shading and highlighting. I'm still not quite happy with how the folds turned out at the bottom of the legs, but I have four more times to practice that in my final product! (Again, the disembodied legs are a little odd, but I wanted to focus only on the jeans.)

     Lastly, I decided to try shoes. In the past, I've found shoes to be very challenging, and I haven't really understood why I have so much trouble. Every time I try to draw them, the perspective ends up a little off, which is odd, because that's not something I normally have trouble with. I considered this for this drawing, and made sure to sketch it and redo it if need be until I was happy with the sketch.

     The shoes don't look exactly like the picture I was drawing from, but I still think they look quite shoe-ish, so I'm satisfied. I picked Converse (Chuck Taylors, whatever you wanted to call them) to draw, since most of the band members are wearing them in the photo I picked. And again, I'll be able to practice shoes through my final product.

    I had three sources this time: two websites about drawing clothes, and a book about figure drawing. My second source under my citations was a basic website that listed areas where folds usually appeared (at the ankles, where a shirt is tucked in, etc.), and inconsistencies in folding, such as texture and size of clothing. The first source in my citations built upon the other source. It focused a lot on how the light hits clothes, and what shadows or highlights it causes. It also discussed how different textures creates different shadows. (Basically, the source I first mentioned said what are where folds are, and the second explained how to draw them.) The third source wasn't about clothes, and instead focused on getting proportions right for figures. It recommended sketching out general shapes before adding detail, which is something I always make sure to do.

     Updates on my final product are coming soon!

Citations:

Boomhower, Doug. "Drawing Clothing Textures." Learn to Draw Expressively. Web. 23 Mar. 2013. <http://www.learn-to-draw-expressively.com/drawing-clothing.html>.

"How to Draw Clothing." CraftyArtWorld.com. Web. 23 Mar. 2013. <http://www.craftyartworld.com/howtodrawclothes.php>.

Meyer, Susan E., and Martim Avillez. "Figure Drawing." How to Draw in Pen and Ink. New York: Collier, 1985. 123-33. Print.

Vlog!

     A video in which I blather about inspiration and stuff.

Annie's Vlog! from Annie G. on Vimeo.

     The song I used in the background is Something Good Can Work by Two Door Cinema Club.

     I apologize for all the jumpcuts, but I think it's safe to assume no one wishes to watch the about three minutes of footage I have of me thinking of what to say...

     I attempted to create some sort of universal message (you have to push yourself to work and practice to get better at something) at the end of this video... Hopefully that worked.

More Hands!

     Last week I said I'd draw some more hands and post them, so here they are:

Since last time I drew my hand, I figured it was a good idea to try a more manly hand. (Male hands are generally stockier than female hands, and I thought it was important to practice those as well.)

Next I decided to draw a more complex hand (as well as an arm). I included the bracelets and microphone from the picture. (As a side note, this is actually the hand of one of the band members I plan on drawing for my final product.)

     I tried to do different sizes of hands this week. Last week, I did both of the hands life-sized, which is much easier. This week, however, I made both smaller. The first drawing is about three inches from the tip of the pencil to the base of the thumb, which is about 60 or 75 percent of life size. The second hand is about a half of an inch across -- about 12.5% of life size. Drawing the hands smaller was a challenge because I had to make sure I kept the proportions the same. I'm glad I practiced this, though, because I'll have to draw the hands smaller in my final product.

     I also found another source to help me in drawing hands: Draw Real Hands! (see citation below). It had separate chapters for male and female hands, which discussed the differences (for example, male hands are more angular and female hands are more slender and delicate). The book also a section about incorporating props into drawings (how the hand holds them, for example), which was helpful for the drawings I did this week.

     One of the most helpful points in Draw Real Hands! was about identifying the light source. Since shading is what makes the hand seem realistic, having correctly placed shadows is essential to the drawing. It helped me to shade the hands better, since before I sometimes guessed at where to place shadows. By identifying the light source first, I knew where to darken or lighten the shadows -- areas opposite from the light would be darker than areas closer to the light.

     Of course, this week is drawing clothes, so that blog post will be up soon. This was just a supplemental post form last week. Stay tuned!

Citation:

Hammond, Lee. Draw Real Hands! Cincinnati, OH: North Light, 1997. Print.

Hands are Quite a Handful

     This week was hands-drawing week! One of my resources stated, "A hand that looks somewhat realistic is one of the most complex body parts to draw" ("How to Draw Realistic Hands" 1). After reading this quote, I was a little worried as to what I was getting myself into.

     I found two different resources (both video tutorials) on how to draw hands. They each approached the task in a different way, and I thought it would be good to try both and see which I liked better.

     The first video (found within the second citation below; direct link in first citation) suggested drawing reference lines (such as a rectangle for the palm, a triangle for the bottom of the thumb, etc.) before beginning any details. I used my left hand as a model. This is the result:

     The tutorial then suggested adding in lines on the fingers and palm as well as rounding out any sharp edges.

     Lastly, I added in shading to make the hand look realistic. Shading was pretty tough, considering the amount of lines in hands. The tutorial mentioned that you don't need to include every single line -- just the main ones, like at your knuckles or around the large muscle below your thumb.

     Altogether, I really liked this method. By breaking everything down into basic shapes, it made beginning the drawing seem like a less daunting task. However, it took more time than I would've liked.

     The second video (the third citation below) took a more difficult approach. The artist in the video suggested using your other hand for reference, and drawing only what you saw. She said numerous times throughout her drawing, "I'm not making anything up." The technique was the first do a simple line drawing of the hand without any shading.

     This was quite a bit harder than I thought it would be. Since I was using my own hand (and in a specific position), I had to make sure not to move too much, or my perspective would be off.

     Next, I was told to add in rough shading (without any smudging). The artist paid special attention to the darkest areas, so I made sure to shade those in a lot.

     Finally, I smudged the pencil marks to create a more natural shading.

     I found this technique to be quite a bit harder than the other one. Since I had to go straight off of what I was seeing rather than drawing reference lines first, there was more trial and error, and more erasing. However, the reference lines and getting everything in proportion from the first method took longer than this method.

     Overall, I think I liked the second, more free-hand technique better. I plan to try a couple more hands with that method, and I will upload those picture when I've finished.

Citations:
Crilley, Mark. "How to Draw a Hand (With Spoken Explanation)." Video blog post. YouTube. 01 Oct. 2007. Web. 08 Mar. 2013. <http://www.youtube.com/watch?v=1NQy-a3rvQs>.

"How to Draw Realistic Hands." Web blog post. Squidoo. Web. 08 Mar. 2013. <http://www.squidoo.com/how-to-draw-realistic-hands>.

Roberts, Di. "How to Draw Professional Looking Hands." Video blog post. Videojug. Web. 08 Mar. 2013. <http://m.videojug.com/film/how-to-draw-professional-looking-hands>.